LEADER 00000cam a22000007a 4500 001 14609025 003 SE-LIBR 003 LIBRIS 003 SE-LIBR 003 LT 008 130729s2013 xxu b 000 0 eng c 010 2012047001 020 9781594204197 041 0 eng 082 00 791.450973/09049|223 084 Imb-qa.6 084 Bub-qa.6|2kssb/8 092 0 791.4|bengelska 100 1 Martin, Brett,|d1972- 245 10 Difficult men :|bbehind the scenes of a creative revolution: from the Sopranos and the Wire to Mad men and Breaking bad /|cBrett Martin 264 New York :|bPenguin,|c2013 300 303 s. 520 "In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. No longer necessarily concerned with creating always- likable characters, plots that wrapped up neatly every episode, or subjects that were deemed safe and appropriate, shows such as The Wire, The Sopranos, Mad Men, Deadwood, The Shield, and more tackled issues of life and death, love and sexuality, addiction, race, violence, and existential boredom. This revolution happened at the hands of a new breed of auteur: the all-powerful writer-show runner. These were men nearly as complicated, idiosyncratic, and "difficult" as the conflicted protagonists that defined the genre. "--|cProvided by publisher 650 0 Television series|zUnited States 650 0 Television broadcasting|xSocial aspects|zUnited States 650 0 Television program genres|zUnited States 650 0 Television actors and actresses|zUnited States|vInterviews 650 0 Cable television|zUnited States|xHistory 650 7 Tv-serier|2sao 650 7 Manusförfattande för tv|2sao 650 7 Berättarteknik|2sao 650 7 Skådespelare|2sao 651 4 Förenta staterna 655 7 Intervjuer|2saogf 907 00 130919
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