LEADER 00000cam a22006017i 4500 
001    zb3kggsswdqr3h5f 
008    200929s2020    nyu|||||||||||000 1|eng|d 
020    9780593229156|qpaperback 
020    0593229150|qpaperback 
020    |z9780399589706 (electronic book) 
020    |z0399589708 (electronic book) 
041    eng 
092 0  Roman|bengelska 
100 1  Kaufman, Charlie,|d1958-|4aut 
245 10 Antkind|ba novel /|cCharlie Kaufman 
250    First edition 
264  1 New York :|bRandom House,|c[2020] 
300    705 pages 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
520    "B. Rosenberger Rosenberg, neurotic and underappreciated 
       film critic (failed academic, filmmaker, paramour, shoe 
       salesman who sleeps in a sock drawer), stumbles upon a 
       hitherto unseen film by an enigmatic outsider--a film he's
       convinced will change his career trajectory and rock the 
       world of cinema to its core. His hands on what is possibly
       the greatest movie ever made, a three-month-long stop-
       motion masterpiece that took its reclusive auteur ninety 
       years to complete, B. knows that it is his mission to show
       it to the rest of humanity. The only problem: The film is 
       destroyed, leaving him the sole witness to its 
       inadvertently ephemeral genius. All that's left of this 
       work of art is a single frame from which B. must somehow 
       attempt to recall the film that just might be the last 
       great hope of civilization. Thus begins a mind-boggling 
       journey through the hilarious nightmarescape of a psyche 
       as lushly Kafkaesque as it is atrophied by the relentless 
       spew of Twitter. Desperate to impose order on an 
       increasingly nonsensical existence, trapped in a self-
       imposed prison of aspirational victimhood and 
       degeneratively inclusive language, B. scrambles to re-
       create the lost masterwork while attempting to keep pace 
       with an ever-fracturing culture of "likes" and arbitrary 
       denunciations that are simultaneously his b©®te noire and 
       his raison d'©®tre. A searing indictment of the modern 
       world, Antkind is a richly layered meditation on art, time,
       memory, identity, comedy, and the very nature of existence
       itself--the grain of truth at the heart of every joke"--
       |cProvided by publisher 
600 04 Humorous fiction 
600 04 Motion pictures|vFiction 
650  4 Satire 
650  4 Film critics|vFiction 
650  7 FICTION / Literary.|2bisacsh 
650  7 Skönlitteratur|2sfit 
650  7 Litteratur med filmtema|2sfit 
650  7 Filmkritik|2sfit 
653    Criticism 
655  7 Romaner|2saogf 
655  7 Skönlitteratur|2saogf 
655  7 Humor|2saogf 
655  7 Satir|2saogf 
710 2  Kaufman, Charlie, 1958-|dFirst edition